Aron Hill
Aron Hill currently lives and works in Calgary, Alberta. He graduated from Alberta College of Art and Design in 2000 with a BFA in Interdisciplinary studies. He then completed his MFA at Goldsmiths College, University of London. His work there evolved into installation based projects using traditional drawing and painting methods alongside formal sculptural elements, large format photography and text based work. He has recently been focused on formalist paintings that recall aspects of minimalism and color field paintings though with references to the figure throughout. He finds conceptual company in the late Modernist paintings produced particularly in Canada. The choice of a restricted medium, acrylic ink washes on prepared raw canvas, forces restraint. The work's graphic nature relies on the sheer flatness this medium produces. Aron has exhibited internationally, occasionally lectures, and writes.
Aron Hill
Aron Hill currently lives and works in Calgary, Alberta. He graduated from Alberta College of Art and Design in 2000 with a BFA in Interdisciplinary studies. He then completed his MFA at Goldsmiths College, University of London. His work there evolved into installation based projects using traditional drawing and painting methods alongside formal sculptural elements, large format photography and text based work. He has recently been focused on formalist paintings that recall aspects of minimalism and color field paintings though with references to the figure throughout. He finds conceptual company in the late Modernist paintings produced particularly in Canada. The choice of a restricted medium, acrylic ink washes on prepared raw canvas, forces restraint. The work's graphic nature relies on the sheer flatness this medium produces. Aron has exhibited internationally, occasionally lectures, and writes.
Angela Grossmann
Biography
While still a student at Emily Carr College (now Institute) of Art and Design in 1985, Angela Grossmann was introduced as one of the Vancouver Art Gallery's "Young Romantic" painters most likely to influence the course of painting in that decade. Over the past 25 years, Grossmann has continued to be a significant force in the Canadian art world. In June 2006, she was included in a list of 100 artists who have most influenced students at eleven leading British art schools, including the Royal Academy, Slade and Royal College of Art.
Grossmann has devoted much of her career to examining themes of displacement and social margins through the use of collaged and transferred discarded materials. In an early series titled Affaires d'Enfants (1987), she painted on the insides of suitcases abandoned by an agency in Paris that once sponsored summer camp holidays for orphans. In 1991, she created (Sign)ifying the END of the (Second) 2nd World War using photographs of unknown European children found in second-hand shops. Grossmann based her 1994 exhibition Scapegoats on mug shots taken of prisoners in the British Columbia Penitentiary during the 1940s. In a strange world hovering between fantasy and reality, she forced viewers to face the human side of criminals. Her 1999 exhibition, My Vocation, presented the human figure graphically sketched and enlarged. The images emerged through ephemeral layers of letters, photographs, addresses, envelopes, postage and cancellation marks.
In her recent work, Grossmann emphasizes coming-of-age themes. Alpha Girls (2004), a forceful narrative series, resonated with the emotional world of young teen girls. Paper Dolls continued the themes of social status, fashion and identity among the “paper dolls” of 2006. Also in 2006, she joined forces once more with Douglas Coupland, Graham Gillmore, Attila Richard Lukacs and Derek Root to create a massive sculptural installation entitled Vancouver School. Grossmann collaborates with this group on a regular basis for special projects.
After earning an MFA at Concordia University and teaching at Ottawa University, Grossmann returned to Vancouver in 1997 to paint and to teach at the Emily Carr Institute of Art and Design and University of British Columbia. Her work has been exhibited widely across Canada, the United States and Europe. It is in numerous public and private collections.
Biography
While still a student at Emily Carr College (now Institute) of Art and Design in 1985, Angela Grossmann was introduced as one of the Vancouver Art Gallery's "Young Romantic" painters most likely to influence the course of painting in that decade. After earning an MFA at Concordia University and teaching at Ottawa University, Grossmann returned to Vancouver in 1997 to paint and to teach at the Emily Carr Institute of Art and Design and University of British Columbia. Her work has been exhibited widely across Canada, the United States and Europe. It is in numerous public and private collections.
Over the past 40 years, Grossmann has continued to be a significant force in the Canadian art world. She has devoted much of her career to examining themes of displacement, social margins and feminine power. In 2006, she was included in a list of 100 artists who have most influenced students at eleven leading British art schools, including the Royal Academy, Slade and Royal College of Art.
Education
1985 Emily Carr College of Art & Design, Honours Diploma, Vancouver, BC
1986 Awarded Canada Council Studio in Paris for one year
1991 M.F.A., Concordia University, Montreal, QC
1991-present Taught painting at Concordia University, University of Ottawa, and Ontario College of Art University, University of British Columbia, Emily Carr University, Vermont college of Fine Arts, MFAi
Solo Exhibitions (abbreviated)
2024 All that Glitters, Herringer Kiss Gallery, Calgary, AB
2024 The Silver Suite, Equinox Gallery, Vancouver, BC
2023 To A Woman Passing By, Fairmont Pacific Rim Hotel (Equinox Gallery), Vancouver, BC
2023 With Themselves, Equionox Gallery, Vancouver, BC
2022 Smaller than life, Herringer Kiss Gallery, Calgary, Canada
2017 Models of Resistance, Herringer Kiss Gallery, Calgary, Canada
2015. Solo booth, Art Toronto, Art Fair – Hello Dolly
2015. Capture Festival, Models of Resistance – Vancouver , Canada
2012 Winsor Gallery, The Future Is Female, Vancouver, Canada
2011 Vancouver Art Gallery- Painting and Photography- Smaller than Life
2010 Galerie d’este - Montreal
2010 Newzones Gallery, Calgary, Alberta
2010 Code 2010 – Online exhibit- curated by Milena Placentile
2010 Melissa Morgan Fine Art- Palm Desert, California
2008 Next- Art Chicago
Mirror, Mirror, Newzones Gallery, Calgary, AB
2005 Alpha Girls, Edward Day Gallery, Toronto, ON
2004 Alpha Girls, Diane Farris Gallery, Vancouver, BC
2002 Thirteen, Robert Birch Gallery, Toronto, ON
1999 Correction(s), Kamloops Art Gallery, Kamloops, BC
1997 Garnet Press Gallery, Toronto, ON
1993 Bourget Gallery, Montreal, QC
1989 Angela Grossmann: A Recent Survey, Simon Fraser Gallery, Simon Fraser University, Vancouver, BC
1987 Affaires d'Enfants, Diane Farris Gallery
Group Exhibitions
2023 Seattle Art Fair, Seattle, Washington (with Melissa Morgan Fine Art from Palm Desert)
2023 Art Toronto, Toronto, ON (Equinox Gallery)
2022 Art Toronto, Toronto, ON
2021 Art Toronto, Toronto, ON
2020 XX, Herringer Kiss Gallery, Calgary, AB
2018 Sampler, Herringer Kiss Gallery, Calgary, AB
2017 Art on Paper, New York City
2016 Papier, Art Fair, Montreal, Quebec
2016. Beast Salient, Franc Gallery, Vancouver
2016. Drama Queer, seducing social change – curated by Dr Johnathan Katz – catalogue
2015. Jiggery Pokery – two person show, Winsor Gallery, Vancouver
2015 Beijing Biennale , Beijing China
2011 Unreal, Vancouver Art Gallery,
2010 Six degree of Separation- Claire Oliver- NYC - New York
2010 Competition, Consumers, Corporatization.Online exhibition curated by Milena Placentile,
2007 Fine Line, Kunsthallen Braenderigard, and Senko Studio, Viborg, Denmark
2006 Paint, Vancouver Art Gallery, Vancouver, BC
Dancing to the Invisible Piper: Canadian Figurative Art, Art Gallery of Mississauga
Vancouver School, Artists for Kids Gallery, North Vancouver, BC
Mois de la Photo, curated by Martha Langford, Montreal, QC
2004 Basement Show, Art Gallery of Calgary, Calgary, A
Form & Figure, Mendel Art Gallery, Saskatoon, SK
The Basement Show, The Electra, Vancouver, BC
Memories and Testimonies, Hart House, Toronto, ON
2002 Memories and Testimonies, Concordia, Montreal, PQ
Pool, Harbour Front Gallery, Toronto, ON
Toronto Art Fair (Robert Birch Gallery), Toronto, ON
2001 Beaux Arts 2001: Showcasing Artists, Sidney & Gertrude Zack Gallery,
Toronto Art Fair (Robert Birch Gallery), Toronto, ON
1999-2000 Catherine Clark Gallery, San Francisco, CA
1999 Crime and Punishment, Agnes Etherington Art Centre, Kingston, ON
Crime and Punishment, Gallery 44, Toronto, ON
Crime and Punishment, Mendel Art Gallery, Saskatoon, SK
1998 Kamloops Art Gallery, Kamloops, BC
1997 Absolute L.A. Invitational, Sherry Frumkin Gallery, Los Angeles, CA
1995 The Spectacular State: Fascism and the Modern Imagination, The Teck Gallery, Toronto
The Spectacular State: Fascism and the Modern Imagination, Simon Fraser University, Vancouver,
Vancouver Holocaust Society, Vancouver, BC
Articule, Montreal, QC
1994 '64 - '94 Contemporary Decades, Emily Carr Institute of Arts & Design, Vancouver, BC
The Expressive Portrait, The Exposure Gallery, Vancouver, BC
Artfair Seattle (Diane Farris Gallery), Seattle, WA; part of public displays project
1993 MONTAGE 93: International Festival of the Image, Rochester, NY
1992-1997 Artfair Seattle (Diane Farris Gallery), Seattle, WA
1990 ART/LA '90, Diane Farris Gallery booth, Los Angeles, CA
Artropolis '90, The Roundhouse, Vancouver, BC
1989 Gilmore, Grossmann, Root, 49th Parallel Gallery (Diane Farris Gallery), NY
1988 Great Strides, Stride Gallery (in assoc. with University of Lethbridge collection), Calgary, AB
1987 Art Cologne ’87 (Diane Farris Gallery), Cologne, West Germany
Fresh Air: Eight Vancouver Painters, Kamloops Art Gallery, Kamloops, BC
Vancouver Painters, Paul Kuhn Fine Arts, Calgary, AB
West Coast Paintings: New Directions, Canada House, London, England
1986 Four Vancouver Young Romantic Painters, Centre Culturel Canadien, Paris
1985 Young Romantics, Vancouver Art Gallery, Vancouver, BC
Five Young Artists, Diane Farris Gallery, Vancouver, BC
Futura Bold Installation, Convertible Warehouse, Vancouver, BC
Group Show of Canadian Painters, 49th Parallel Gallery, New York, NY
1984 Futura Bold, Unit Pitt, Vancouver, BC
Warehouse Show, Vancouver, BC
Grants & Awards
2014. Canada Council “B” Grant
2004 Canada Council “A” Grant
1996 Canada Council “B” Grant
1994 Canada Council “B” Grant
1990 Canada Council “B” Grant
1988 Canada Council "B" Grant
1986 Canada Council "B" Grant
1984 British Columbia Cultural Fund Award
1983 Scholarship from Emily Carr College of Art and Design
British Columbia Cultural Fund Award
1981 First Year Scholarship from Emily Carr College of Art and Design
Selected Publications
2016. Sunshine Frere , Montechristo Magazine, interview - Summer issue
2016. Staff writer, Drama Queer, interview
2015. Kevin Griffin, Vancouver Sun, Models of resistance
2015. Robin Laurence, Jiggery Pokery , Bordercrossings (Spring )
2015. Danielle Egan, Doll Parts , Whitehotmagazine-
2015. Hadani Ditmars - Canadian Art Magazine - Models of Resistance
2015. Robin Laurence, Georgia Straight , Models of Resistance
2012. Danielle Egan, Canadian Art, Flesh for Fantasy
2010. David Yates, Montreal Home Magazine – Anew eye on the Old - Autumn
2010 Huffington Post- The commonwealth strikes back – Mark Wiener
2010 John Pohl- Emotional Intelligence – Montreal Gazette
2009 Loren, Lerner, Adolescent Girls, Adult Women, Girlhood Studies, Vol 1. Berghahn Journals
2009 Leadlay, Christina. Spade Magazine, p54-59
2008 Dykk, Lloyd. The Vancouver Sun, December 6, 2008
2008 Roenisch, Clint and Jane Urquhart. Carte Blanche, Vol. 2 – Painting, Magenta Publishing for the Art, Toronto, ON
2007 Kevin Chong, “Art & Commerce,” Fashion, October 2007, p 128-133
Starke, Sean, “Angela Grossmann,” Hobo Magazine, Spring/Summer 2007, p 106-111
VLM, “Gallerista,” Vancouver Lifestyles Magazine, Vol. 14 Issue 10, Winter 2008, p 62
2006 Allen, Joanne, “100 Artists who have most influenced British art students,” The Art Newspaper, No. 170, June 2006
Campbell, Deborah, “Angela Grossmann’s Portrait Toughs – Alpha Girl,” Canadian Art, Vol. 23 No. 2, Summer 2006, p 60-63
Sorbelli, Sylvia. Angela Grossmann’s and Poleixeni Papepetrou’s Adventures in Wonderland, Concordia Undergraduate Journal of Art History.
Cramp, Beverly, “Angela Grossmann,” Galleries West, Summer 2006, cover, p 40-42
Harper”s Magazine, September 2006, p 23 (images)
Hill, Mary Frances, “Explorations of Girlhood Under Pressure,” Westender, June 15-21, 2006
Laurence, Robin, Artists go back to School,” “The Georgia Straight, April 20, 2006
2004 Barr, Catherine, “Cat’s Eye,” Westender, October 14-20, 2004
Dault, Julia, “The Art Underground,” National Post, June 10, 2004
Laurence, Robin, “Girls Caught in the Market Tide,” Georgia Straight, October 14, 2004
Menkis, Richard & Norman Ravvin, The Canadian Jewish Studies Reader,Red Deer Press, 2004 (cover)
2003 Gill, Alexandra, “Art Goes Underground,” Globe and Mail, October 27, 2003 Scott, Michael, “The Basement Reveals Artistic Genius,” The Vancouver Sun, October 29, 2003
Wohlberg, Tara, “Lost & Found,” NUVO, autumn 2003
2002 Dault, Gary Michel, “Girl-paintings are strong stuff,” Globe and Mail, December 21, 2002
Johnson, Mia, Preview of the Visual Arts, March-April, 2002
Memories and Testimonies
2001 Howard, Cori, “Five Artists, Will Paint for Money,” National Post, February 6, 2001
2000 Artweek Magazine, Cover Illustration, February, 2000 SanFrancisco, Ca
Milroy, Sarah, “Vancouver Painters Reach Critical Mass,” Globe and Mail, May 15, 1999
Richardson, Bill, “Job Satisfaction,” National Post, March 10, 1999
Scott, Michael, “Angela Grossmann,” The Vancouver Sun, March 11, 1999
1997 Hume, Chris, “Lending Dignity to Faces of Crime,” The Toronto Star, March 20, 1997
Mackay, Gillian, “Angela Grossman & Oliver Girling at Garnett Press,” Globe and Mail, March 8, 1997
1992 Rosenberg, Ann, “Distaff Eyes Reflect Surreal World,” The Vancouver Sun, September 12, 1992
1990 Genereux, Linda, “Canadians Regroup in NY,” Metropolis, Vol. 1, No. 44, March 23, 1989
1988 Grace Sherrill, “Painting on the Edge, 1987,” American Book Review, Spring 1988
Watson, Scott, “Angela Grossmann,” Western Living, April 1988
1987 Blanchette, Manon, “Aux Confins de la Tradition et de L'Ouverture,” Vie des Arts, summer 1987
Kaplan, Joel, “Graham Gillmore, Angela Grossmann,” Vanguard, September 1987
Tousley, Nancy, “Artists Part of Vigorous New Vancouver Movement,” Calgary Herald, January 29, 1987
Watson, Scott, “Angela Grossmann: Affaires d’Enfants,” Canadian Art, Fall 1987
“New Era of Painting on Show at Canada House,” Canada Today. No. 13, November 1986
Thomas, Gilda, “Four Young Romantics of Vancouver,” Vie des Arts, December 1986
1985 Featherstone, Bill, “In Review Vancouver,” The Art Post, October/November 1985
Templeman-Kluit, Anne, “Young Romantics at the Vancouver Art Gallery,” Vancouver Magazine, June 1985
Watson, Scott, “Review of Futura Bold,” C Magazine, Spring 1985
Wolff, Theodore F, “New York Art Galleries that Sizzle in Summer,” Christian Science Monitor, June 1985
Collections
ABN AMRO International Bank, Amsterdam, Holland
Art Gallery of Greater Victoria, Victoria, BC
Appleton Museum of Art, Ocala, Florida
Canada Council Art Bank, Ottawa, ON
Canadiana Fund Heritage Art Collection, Ottawa, ON
Canadian Postal Museum, Ottawa, ON
Federation CJA, Montreal, QC
Glenbow Museum, Calgary, AB
Kamloops Art Gallery, Kamloops, BC
Museum Abteiberg, Monchengladbach, Germany
National Gallery of Canada, Ottawa, ON
Seymour Collection, Vancouver, BC
Simon Fraser University, Burnaby, BC
Southern Alberta Art Gallery, Lethbridge, Alberta
University of Victoria, Victoria, BC
Vancouver Art Gallery, Vancouver, BC